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Godley, Creme, Albums, DSD, Remaster
Godley, Creme, Albums, DSD, Remaster

Godley & Creme - 7 Albums / DSD Remaster 2010
Format: FLAC / Level 8 (img + *cue / *cue with ISRC + log, AccurateRip) | Covers: format PNG 300dpi, full scans
Released Year: 2011 | Label: Mercury Records / Polydor Records / Universal Music Japan | Size: 3.9 GB
Genre / Style: Rock / Progressive Rock / Pop Rock / Soft Rock



Allmusic / Biography by Michael Sutton
British vocalists/multi-instrumentalists Kevin Godley and Lol Creme have one of the most eclectic resumes in rock & roll. Godley and Creme were session musicians when they joined 10cc in 1970. Originally called Hotlegs, 10cc were an art pop group that frequently appeared on the U.K. charts in the early 70s, eventually hitting number two in the U.S. with I m Not in Love. The two departed from 10cc a year later so they could experiment with the Gizmo, a gadget that enabled the guitar to create sounds with symphonic textures. The device, which they had invented, became the inspiration for Godley & Creme s 1977 debut triple-LP Consequences. A concept album about mankind battling a vengeful Mother Nature, Consequences was ripped to shreds and ridiculed by critics for its pretentiousness and excessive length. The bad press and poor sales generated by Consequences nearly destroyed the duo s career. However, in 1981, Godley & Creme landed on the British Top Ten with Under My Thumb. But Godley & Creme achieved the most commercial success and critical acclaim in the 80s as video pioneers. The pair directed MTV clips for the Police, Duran Duran, and Frankie Goes to Hollywood that stretched the boundaries of music video and proved that the form was capable of producing art. In 1985, Godley & Creme had their only American smash with Cry. Not surprisingly, it had an eye-popping video with groundbreaking special effects that showed people s faces morphing into one another. Godley & Creme were unable to climb the heights of Cry again and released Goodbye Blue Sky in 1988 before leaving music behind for video production. Creme joined the Art of Noise in the late 90s.
1977 Consequences 2CD Box Set
Original Release: Mercury UK 3LP Set 9199 062/3/4
Allmusic / Review by Donald A. Guarisco
This album, the solo debut of former 10cc members Kevin Godley and Lol Creme, is generally considered to be one of the most notorious examples of 70s music-business excess. Consequences began its life as a single designed to show off the gizmo, a musical device created by Godley & Creme that allowed an electric guitar to create symphonic-sounding textures when attached to its neck. Somewhere along the line, this single blew up into a triple-disc concept album about nature taking its revenge on mankind through hurricanes, floods, and the like. The first disc is almost entirely instrumental, using the gizmo to create all sorts of different textures as a hurricane dubbed Honolulu Lulu trashes Hawaii and heads for the United States. This stuff is a feat of clever engineering (there is a particularly funny part where an obnoxious rock band at an outdoor festival is swept away by a flood), but the musical content is lacking in hooks or melodies and thus fails to involve the listener. Consequences moves into its story line on the second disc, dividing its time between songs from Godley & Creme and spoken word comedy sketches written and performed by legendary British comedian Peter Cook that push the plot forward. The story focuses on a married couple working out the details of their divorce with their respective lawyers as the storms and earthquakes kick in. Their only hope is the downstairs neighbor, an eccentric composer named Blint who is working on a concerto that may be able to stop nature s revenge. The songs are mainly cutesy fluff: although they have clever arrangements and lush vocal harmonies, they lack the kind of memorable melodies that would bring the album s many concepts to life. The one song that stands apart from the dross is Five O Clock in the Morning, a clever and subtle portrait of suburban malaise that became a minor European hit. The comedy bits have some clever moments of wordplay, but weigh the album down because they go on too long and distract from the music. When the climactic Blint s Tune finally arrives, it is merely a meandering and overlong piano-led instrumental. Simply put, Consequences is a disaster: its humor is labored, its musical content is dull, and the mind-numbing length of the album proved that neither Godley nor Creme knew when to quit. The duo later proved they were capable of better and more focused satirical pop on albums like Freeze Frame, but they are lucky this creative train wreck didn t end their career before it could start.
CD1
Part One
01 Seascape
02 Wind
03 Fireworks
04 Stampede
05 Burial Scene
06 Sleeping Earth
07 Honolulu Lulu
08 The Flood
Part Two
09 Five O Clock In The Morning
10 Dialogue
11 When Things Go Wrong
12 Dialogue
13 Lost Weekend
CD2
01 Dialogue
02 Rosie
03 Dialogue
04 Office Chase
05 Dialogue
06 Cool, Cool, Cool
07 Dialogue
Part Three
08 Cool, Cool, Cool (Reprise)
09 Dialogue
10 Sailor
11 Dialogue
12 Mobilization
13 Dialogue
14 Please, Please, Please
15 Dialogue
16 Blint s Tune (Movements 1-17)
1978 L
Original Release: Mercury UK 9109 611
Allmusic / Review by Mark Allan
Together, these two multi-instrumentalist studio freaks were the British Frank Zappa. Overwhelmed by their own cleverness, they often wasted brilliant production and gorgeous vocal harmonies on trite material. The title of this album and a song called Sandwiches of You offer a hint of the problem. It s impossible to feel any emotional attachment to the material because of a sense that everything these guys do is tongue in cheek. This is a thoroughly forgettable outing by two chaps capable of much more.
01 The Sporting Life
02 Sandwiches Of You
03 Art School Canteen
04 Group Life
05 Punchbag
06 Foreign Accents
07 Hit Factory / Business Is Business
1979 Freeze Frame
Original Release: Polydor UK POLD 5027 (2442 166)
Allmusic / Review by Mark Allan
It s impossible to mistake this for a 1981 J. Geils Band release of the same name. This album gets the nod over some other Godley and Creme ones because sometimes they actually stay with a tune to the end instead of sailing off on a Frank Zappa-like tangent. That might be because the part-time presence of Paul McCartney and Phil Manzanera keeps their hosts grounded. An Englishman in New York sounds remarkably like Queen in spots and is the strongest track on the album, although its smugness wears thin after awhile.
01 An Englishman In New York
02 Random Brainwave
03 I Pity Inanimate Objects
04 Freeze Frame
05 Clues
06 Brazilia (Wish You Were Here)
07 Mugshots
08 Get Well Soon
Bonus Tracks
09 Silent Running
10 Wide Boy
11 Submarine
12 Marciano
1981 Ismism
Original Release: Polydor UK POLD 5043 (2442 193)
Allmusic / Review by Mark Allan
Prone to pretension, these two English Frank Zappas revel in outright silliness on much of this album, which was also released as Snack Attack. The mix puts their voices higher than usual, highlighting some truly bent tales of munchy madness, desert skullduggery, and JFK assassins. For contrast, there s the gorgeous Wedding Bells, a rare AM hit for the former 10cc mates. Throughout all of this, you get the nagging feeling this pair was capable of so much more.
01 Snack Attack
02 Under Your Thumb
03 Joey s Camel
04 The Problem
05 Ready For Ralph
06 Wedding Bells
07 Lonnie
08 Sale Of The Century
09 The Party
Bonus Tracks
10 Power Behind The Throne
11 Babies
12 Snack Attack (Extended Version)
1983 Birds Of Prey
Original Release: Polydor UK POLD 5070 (2383 653)
Allmusic / Review by Dave Thompson
The least successful inclusion in the Godley & Creme catalog, Birds of Prey finds the duo stripping back the crazier idiosyncrasies that made its earlier albums so intriguing, and working more in the realm of melody and, dare one say it, easy listening. Lyrically they remain as offbeat as ever, and an evening with the Birds of Prey lyric sheet will send you scrabbling to hear the music. Bad move. Save Me a Mountain, the album s almost-hit single, is a saccharin lament that might be directly descended from 10cc s Brand New Day and Don t Hang Up, but lacks both the melodic and the emotional punch that made those earlier ballads work so well, while Samson, My Body the Car, and Madame Guillotine simply sound as though they were recorded the moment the ideas first stumbled into view, as opposed to waiting around to make sure the songs were even worth pursuing. So a major disappointment from a duo that was traditionally so reliable and, if you do buy the album today, it ll be for the bonus tracks - no, not the dance mix of Samson, but for the sheer madness of Welcome to Breakfast Television, a topical B-side at the time of its release, and a self-fulfilling prophecy that could not have been proved more accurate.
01 My Body The Car
02 Worm And The Rattlesnake
03 Cats Eyes
04 Samson
05 Save A Mountain For Me
06 Madame Guillotine
07 Woodwork
08 Twisted Nerve
09 Out In The Cold
Bonus Tracks
10 Welcome To Breakfast Televesion
11 Samson (Dance Mix)
12 Golden Boy
13 Samson (UK 7 Promo Single Edit)
14 Golden Boy (Long Version)
1985 The History Mix Vol. 1
Original Release: Polydor POLH 22 (825 679-1)
Allmusic / Review by Dave Thompson
A decade after Kevin Godley and Lol Creme walked out on 10cc and took half of that band s magic with them, the pair convened a reunion of sorts with The History Mix, Vol. 1, the ultimate ideal of all that the then-infant industry of remixing had to offer. The utterly gorgeous (and surprisingly successful) Cry notwithstanding, the basic premise of the album was to assemble a batch of the duo s past triumphs - 11 in all, with only four pre- or postdating the 10cc era - and then recycle them into five separate cuts that fall somewhere between Frank Zappa and a deranged interpretation of an early Residents album. All of which makes for a collection that is alternately infuriating (ten minutes of the hook line from Business Is Business spliced with the humdrum intro from The Dean and I ), intriguing (the combination of key elements from How Dare You and Neanderthal Man ), and plain compulsive (the gentle drift from I m Not in Love s whispered big boys don t cry into Cry itself is a masterpiece in its own right). With producer Trevor Horn at the helm, the overall sound of the album is very much a child of its age - however, the only moment that has truly dated is the insertion of a reference to Hill Street Blues into a fragmented Rubber Bullets. Nevertheless, it s an album that is best recommended only to fans who actually know the original songs, and who ll appreciate the fresh landscapes into which they ve been spliced - one reason, presumably, for the CD reissue of the album adding in a handful of other, more conventional Godley & Creme concoctions. They, at least, give the impression of a commercially valid experience. In its natural state, it s simply the sound of invigorating sonic madness.
01 Wet Rubber Soup
Recycled From:
Rubber Bullets
Minestorne
I m Not In Love
Cry
02 Expanding The Business - The Dare You Man - Hum Drum Boys In Paris - Mountain Tension
Recycled From:
Business Is Business
How Dare You
Neanderthal Man
This Sporting Life
One Night In Paris
The Dean And I
Dynamic Tension
Umbopo
03 Light Me Up
04 An Englishman In New York
05 Save A Mountain For Me
06 Golden Boy
Bonus Tracks
07 Cry (Extended Remix)
08 Snack Attack (Extended Remix)
1988 Goodbye Blue Sky
Original Release: Polydor UK POLH 40 (835 348-1)
Allmusic / Review by Mark Allan
In their final major-label release before heading for a video-making career, these two veteran English music-makers tackle environmental degradation and nuclear annihilation. After earlier releases full of detached sarcasm and sardonic wit, it s refreshing to hear the pair actually care about something, although they sometimes hector. Musically, the songs are linked by the use of harmonicas on every track. This is one of their stronger albums because of thematic consistency and typically terrific production, including the usual gorgeous, multi-tracked harmonies. In spite of the gloomy subject matter, the album-closing Desperate Times ends on an optimistic note.
01 H.E.A.V.E.N. / A Little Piece Of Heaven
02 Don t Set Fire (To The One I Love)
03 Golden Rings
04 Crime & Punishment
05 The Big Bang
06 10.000 Angels
07 Sweet Memory
08 Air Force One
09 The Last Page Of History
10 Desperate Times
Bonus Tracks
11 A Little Piece Of Heaven (Extended Mix)
12 Bits Of Blue Sky
13 Hidden Heartbeat
14 Rhino Rhino
15 Can t Sleep

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